Salieri Antonio - Falstaff (Shakespeare) - Alberto Veronesi [Ape + Cue] Classic [TNT Village]

Compositore: Antonio Salieri
Opera: Falstaff
Anno Rilascio: 1998
Etichetta: Inghilterra (Chandos)
Audio Codec: APE
Tipo Rip: image + Cue
Durata: CD1: 72:42; CD2: 69:25





http://www.librettidopera.it/falstaffs/falstaffs.html

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CD1
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

Отчёт EAC об извлечении, выполненном 7. февраля 2010, 16:53

Franceschetto, Chialli, Madrigalists of Milan, Veronesi / Salieri Antonio - Falstaff CD1

Дисковод: Optiarc DVD RW AD-7173A Adapter: 1 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 4:14.25 | 0 | 19074
2 | 4:14.25 | 3:17.10 | 19075 | 33859
3 | 7:31.35 | 2:54.25 | 33860 | 46934
4 | 10:25.60 | 1:58.55 | 46935 | 55839
5 | 12:24.40 | 0:49.30 | 55840 | 59544
6 | 13:13.70 | 5:00.10 | 59545 | 82054
7 | 18:14.05 | 2:23.50 | 82055 | 92829
8 | 20:37.55 | 3:19.50 | 92830 | 107804
9 | 23:57.30 | 0:44.12 | 107805 | 111116
10 | 24:41.42 | 3:18.20 | 111117 | 125986
11 | 27:59.62 | 0:45.35 | 125987 | 129396
12 | 28:45.22 | 2:01.65 | 129397 | 138536
13 | 30:47.12 | 0:50.08 | 138537 | 142294
14 | 31:37.20 | 1:12.40 | 142295 | 147734
15 | 32:49.60 | 0:51.42 | 147735 | 151601
16 | 33:41.27 | 1:25.65 | 151602 | 158041
17 | 35:07.17 | 4:59.73 | 158042 | 180539
18 | 40:07.15 | 0:54.40 | 180540 | 184629
19 | 41:01.55 | 3:19.27 | 184630 | 199581
20 | 44:21.07 | 0:57.10 | 199582 | 203866
21 | 45:18.17 | 1:41.65 | 203867 | 211506
22 | 47:00.07 | 3:14.03 | 211507 | 226059
23 | 50:14.10 | 3:56.12 | 226060 | 243771
24 | 54:10.22 | 3:19.65 | 243772 | 258761
25 | 57:30.12 | 5:22.00 | 258762 | 282911
26 | 62:52.12 | 2:05.38 | 282912 | 292324
27 | 64:57.50 | 7:45.25 | 292325 | 327224


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла C:\Documents and Settings\Salieri Antonio - Falstaff CD1.wav

Пиковый уровень 100.0 %
Качество диапазона 99.9 %
CRC копии B9E5E73C
Копирование... OK

Ошибок не произошло

Конец отчёта

CD2
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

Отчёт EAC об извлечении, выполненном 7. февраля 2010, 17:37

Franceschetto, Chialli, Madrigalists of Milan, Veronesi / Salieri Antonio - Falstaff CD2

Дисковод: Optiarc DVD RW AD-7173A Adapter: 1 ID: 1

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 8:34.47 | 0 | 38596
2 | 8:34.47 | 0:48.73 | 38597 | 42269
3 | 9:23.45 | 2:46.45 | 42270 | 54764
4 | 12:10.15 | 2:21.40 | 54765 | 65379
5 | 14:31.55 | 0:58.45 | 65380 | 69774
6 | 15:30.25 | 0:39.57 | 69775 | 72756
7 | 16:10.07 | 3:27.18 | 72757 | 88299
8 | 19:37.25 | 0:59.22 | 88300 | 92746
9 | 20:36.47 | 1:21.65 | 92747 | 98886
10 | 21:58.37 | 1:12.45 | 98887 | 104331
11 | 23:11.07 | 1:28.73 | 104332 | 111004
12 | 24:40.05 | 0:41.60 | 111005 | 114139
13 | 25:21.65 | 1:20.22 | 114140 | 120161
14 | 26:42.12 | 2:23.43 | 120162 | 130929
15 | 29:05.55 | 2:48.25 | 130930 | 143554
16 | 31:54.05 | 1:02.60 | 143555 | 148264
17 | 32:56.65 | 1:38.25 | 148265 | 155639
18 | 34:35.15 | 1:03.45 | 155640 | 160409
19 | 35:38.60 | 2:39.52 | 160410 | 172386
20 | 38:18.37 | 0:33.65 | 172387 | 174926
21 | 38:52.27 | 2:51.68 | 174927 | 187819
22 | 41:44.20 | 1:43.52 | 187820 | 195596
23 | 43:27.72 | 0:49.48 | 195597 | 199319
24 | 44:17.45 | 1:35.05 | 199320 | 206449
25 | 45:52.50 | 0:57.32 | 206450 | 210756
26 | 46:50.07 | 1:37.33 | 210757 | 218064
27 | 48:27.40 | 0:55.42 | 218065 | 222231
28 | 49:23.07 | 1:08.18 | 222232 | 227349
29 | 50:31.25 | 1:02.62 | 227350 | 232061
30 | 51:34.12 | 2:53.65 | 232062 | 245101
31 | 54:28.02 | 7:25.15 | 245102 | 278491
32 | 61:53.17 | 7:32.38 | 278492 | 312429


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла C:\Documents and Settings\Salieri Antonio - Falstaff CD2.wav

Пиковый уровень 100.0 %
Качество диапазона 99.9 %
CRC копии 8C50695C
Копирование... OK

Ошибок не произошло

Конец отчёта



Falstaff, ossia Le tre burle è un dramma giocoso in due atti di Antonio Salieri, su libretto di Carlo Prospero Defranceschi, ispirato a Le allegre comari di Windsor di William Shakespeare.
La prima rappresentazione ebbe luogo a Vienna, al Teatro di Porta Carinzia, il 3 gennaio 1799.
Confrontato con l'originale shakespeariano, il libretto di Defranceschi annovera un numero minore di personaggi, tale da consentire uno svolgimento più lineare della vicenda.
L'opera non resse il confronto con quella di Verdi, ben più nota e comica; un'importante ripresa in tempi moderni è stata fatta al Teatro Filarmonico di Verona per la re-inaugurazione dopo il restauro negli anni '70.
Dell'opera, in tempi recenti, è stata stampata, dalla casa editrice OTOS di Lucca sia la partitura che lo spartito canto e pianoforte a cura del compositore e musicologo Filiberto Pierami.

English

Falstaff, ossia Le tre burle (Falstaff, or The Three Jokes) is a dramma giocoso in two acts by Antonio Salieri, set to a libretto by Carlo Prospero Defranceschi after William Shakespeare's The Merry Wives of Windsor. One of the earliest operatic versions of Shakespeare's play, Salieri's Falstaff is notable for a general compression and streamlining of the original plot, note the absence of the two young lovers, Fenton and Anne, and the addition of a scene in which Mistress Ford pretends to be German to charm Falstaff (actually two such scenes exist, one in a separate score by Salieri was probably omitted from the original Viennese productions). Defranceschi moves the plot and structure away from Elizabethan drama and closer to the standard conventions of late 18th century opera buffa.

Highlights include the Sinfonia (overture) in the style of contra dances. The entire opera shows the influence of Mozart's Le nozze di Figaro, which was being successfully revived at the time. Among the musical highlights, besides the sinfonia, are Falstaff's strutting Act I patter aria, the quartet in Act I, the duettino "La stessa, La stessissima", the technically brilliant "laughter" trio in the opening moments of Act II, the canonical duet of Mr. and Mrs. Ford toward the end of Act II (featuring a rare late 18th century cello solo) and the grand finale to Act II. Throughout the score Salieri employs careful tone painting, parody of opera seria conventions, a more harmonically interesting structure for the secco recitative, and more involved counterpoint; traits that have helped return Falstaff to the playing boards.






Antonio Salieri (Legnago, 18 agosto 1750 – Vienna, 7 maggio 1825) fu un compositore italiano di musica sacra, classica e lirica. Fu il compositore più famoso e importante d'Europa ai suoi tempi.
Trascorse la maggior parte della sua vita alla corte imperiale asburgica di Vienna per la quale fu compositore e maestro di cappella. La sua filosofia artistica è ben riassunta nel titolo di una sua celebre opera: "Prima la musica e poi le parole".
Musicista di vaglia e dotato di grande talento, portato per l'insegnamento, Salieri ha visto il suo nome legato alla sua presunta rivalità con Wolfgang Amadeus Mozart, una rivalità che portò, oltre ad accuse di plagio, a quella più grave di aver causato la morte del compositore salisburghese, episodio mai dimostrato storicamente e tuttavia riproposto con ironia e forza visionaria dal regista Miloš Forman nel film Amadeus. Tale rivalità, però, è piuttosto improbabile, poiché le opere di Salieri ricevevano un maggiore apprezzamento rispetto a quelle di Mozart.
Nella sua carriera, ebbe come allievi futuri musicisti destinati alla celebrità: da Beethoven a Schubert, da Liszt a Czerny e Hummel.
Fra i suoi pupilli vi fu anche uno dei figli dello stesso Mozart, Franz Xaver Wolfgang, quasi a legare indissolubilmente i loro due nomi.

English

Antonio Salieri was an Italian classical composer, conductor and teacher born in the Republic of Venice, but who spent his adult life and career as a faithful subject of the Habsburg Monarchy. Salieri was a pivotal figure in the development of late 18th century opera. As a student of Florian Leopold Gassmann, and a protege of Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 to 1792, Salieri dominated Italian language opera in Vienna. During his career he also spent time writing works for opera houses in Venice, Rome, and Paris. His dramatic works were widely performed throughout Europe during his life time. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought after teachers of his generation and his influence was felt in every aspect of Vienna's musical life. Schubert, Beethoven, and Liszt were among the most famous of his pupils. Salieri's music slowly disappeared from the repertoire between 1800 and 1868, and was rarely heard after that period until the revival of his fame in the late 20th century. This revival was due to his dramatic and highly fictionalized depiction in the play and film Amadeus (1979, 1984) by Peter Shaffer. His music today has regained some modest popularity via recordings, it is also the subject of increasing academic study and a small number of his operas have returned to the stage. In addition there is now a Salieri Opera Festival sponsored by the Fondazione Culturale Antonio Salieri and dedicated to rediscovering his work and those of his
contemporaries. It is developing as an annual autumn event in his native town of Legnago where a theater has been re-named in his honor.