Uno Specialista - Ritratto di un criminale moderno [TVrip - XviD - OV Mp3 - HardSub Ita] [TNTvillage]

Uno Specialista - Ritratto di un criminale moderno [TVrip - XviD - OV Mp3 - HardSub Ita] [TNTvillage]

UNO SPECIALISTA

RITRATTO DI UN CRIMINALE MODERNO

Eyal Sivan









Titolo originale Uno specialista. Ritratto di un criminale moderno
Paese Austria, Belgio, Germania, Francia, Israele
Anno 1999
Durata 128'
Colore colore
Audio sonoro
Genere documentario, storico
Regia Eyal Sivan
Soggetto Rony Brauman & Eyal Sivan, tratto dal libro di Hannah Arendt "Eichman in Jerusalem. A report on the banality of evil" (La banalità del male. Il processo a Eichman)
Sceneggiatura Eyal Sivan, Rony Brauman
Fotografia Leo T. Hurwitz
Montaggio Audrey Maurion
Musiche Yves Robert, Krishna Levy, Béatrice Thiriet, Jen-Michel Levy
Produttore Eyal Sivan per MOMENTO! ARCAPIX
Distribuzione Istituto Luce (1999)

Ruoli
Bernard Eichmann - L'Accusato
Giddeon Hausner - Il Procuratore
Moshe' Landau - Il Presiente Della Corte
Benjamin Halevy - Giudice Della Corte
Yitzhak Raveh - Giudice Piu' Anziano
Robert Servatius - Avvocato Della Difesa


"The Spielberg archive took six years to point out presumed defects in the film, and that indicates the extent of the archive's efficiency," said director Eyal Sivan in response to the complaints against him. "The archive betrayed its role as the body responsible for preserving the Eichmann trial materials." Sivan says that when they began work on the film, the archive offered them 68 hours from the trial. Only after searching did the production team find the rest of the materials, "which were stored in the bathroom of the Hebrew University law faculty. I personally worked for seven months cataloging all the reels we found. We saved all the materials, at our own expense, transferred them to a digital format, and even gave the original copy to the state. Spielberg's people accuse us of editing and of taking things out of context. It's strange that people who betrayed their role are raising such a claim."

Sivan replies to the complaints against "The Specialist" in four words: "We made a film," with everything that implies - editing and adding effects. "After the film was screened for the first time at the festival in Berlin, we emphasized our cinematic work, both in the press and in the book we published afterwards. All the materials we used underwent treatment. We added lighting. We touched up the picture. And still, the claim that we added external laughter to one of the scenes is a lie. The film's sound was taken from the audio tapes of the trial."

In regard to the witness who did not reply to the question "Why didn't you resist?" while in the original another witness was asked about that, Sivan says: "Most of the witnesses were asked the same question. It's true that there's editing here, but it's a film. Hausner's opening speech lasted for three days, and in the film there's only one minute. Did we commit fraud here as well? 'The Specialist' is not the Eichmann trial, it's a film from the archives of the Eichmann trial." And why were Hausner's shouts at Eichmann placed in the wrong context? "The Eichmann trial lasted for nine months, whereas the film lasts for 123 minutes," replies Sivan. "Spielberg's people have to remember that their job is not to make movies, and our job is not to do archival work."

Regarding the blurring of the picture in order to create a similarity between Eichmann and Hausner, both with their backs to the camera, Sivan says: "Did I place them next to one another? Is it my fault that they were both bald and dressed in black? Moreover, had I not presented this scene, would the Spielberg people still have asked why I cut the scene? Of course not!"

In the same language, Sivan also replies to the question as to why he cut short Meyer's testimony, in which he mentions Eichmann's coarse manner of speaking. "Had we presented only the part where Eichmann is a rude man, the Spielberg archive would have asked why I didn't use the scene in which Meyer testifies that he was a nice man."

Regarding the claim that Freudiger's testimony is an editing of two meetings, Sivan says: "That's an outright lie. The Spielberg archive has an old ideological approach, according to which memory is more important than history. It's more important to them to show the witnesses than to discuss the past. Freudiger's testimony at the Eichmann trial is extraordinary because the audience in the courtroom came out against Freudiger and accused him of collaboration."




Catturato a Buenos Aires dai servizi segreti israeliani nel 1960, il criminale nazista Adolf Eichmann viene portato a Gerusalemme. Qui, nell'auditorium della Casa del Popolo trasformata per l'occasione in tribunale, a partire dall'11 aprile 1961 prende il via il processo a suo carico. Dopo otto mesi di dibattimento, il 15 dicembre la Corte del distretto di Gerusalemme, composta da tre giudici israeliani di origine tedesca, pronuncia la condanna a morte. Eichmann ricorre in appello. Il 28 marzo 1962 il giudizio di primo grado viene confermato. Eichmann chiede allora la grazia al Capo dello Stato. Il 31 maggio la grazia viene rifiutata e Eichmann viene impiccato intorno alla mezzanotte.




"Dalle 350 ore di filmato del processo ad Adolf Eichmann, che fu responsabile dell'intera organizzazione dello sterminio nazista degli ebrei, Eyal Sivan e Rony Brauman hanno estratto e rimontato due ore di sequenze (...) Sivan ha manipolato fotograficamente l'immagine opaca di questo individuo, sottraendola al passato remoto e restituendola al nostro presente". (Roberto Chiesi, 'Segnocinema', settembre / ottobre 2000)







EYAL SIVAN. Nato ad Haifa nel 1964, cresciuto a Gerusalemme e trasferitosi in Francia nel 1985 Eyal Sivan, cineasta, produttore e saggista, è conosciuto per la sua attività di documentarista che da sempre indaga i conflitti del popolo israeliano e la sua memoria.
Fulcro della sua opera sono i rapporti tra lo Stato d'Israele ed il popolo palestinese, al centro del controverso ROUTE 181 (2004), girato a 4 mani con il palestinese Michel Khleifi.
Anche quando Sivan sceglie di allontanarsi dal suo paese, il suo cinema punta l'attenzione sulle vittime delle stragi (Rwanda e Burundi) e sulla mediocrità del crimine (Il funzionamento della Stasi in AUS LIEBE ZUM VOLK - Vi amo tutti, 2004). Centrale nella sua ricerca resta il recupero delle immagini del processo a Eichmann con cui realizza UNO SPECIALISTA (1999), lucido film ispirato a "La banalità del male" di Hannah Arendt.











General
Complete name : Uno Specialista - Ritratto di un criminale moderno.avi
Format : AVI
Format/Info : Audio Video Interleave
File size : 639 MiB
Duration : 2h 2mn
Overall bit rate : 726 Kbps
Writing library : VirtualDub build 21540/release

Video
ID : 0
Format : MPEG-4 Visual
Format settings, BVOP : No
Format settings, QPel : No
Format settings, GMC : No warppoints
Format settings, Matrix : Default (H.263)
Codec ID : XVID
Codec ID/Hint : XviD
Duration : 2h 2mn
Bit rate : 588 Kbps
Width : 320 pixels
Height : 240 pixels
Display aspect ratio : 4:3
Frame rate : 24.988 fps
Original frame rate : 25.000 fps
Resolution : 8 bits
Colorimetry : 4:2:0
Scan type : Progressive
Bits/(Pixel*Frame) : 0.307
Stream size : 517 MiB (81%)

Audio
ID : 1
Format : MPEG Audio
Format version : Version 1
Format profile : Layer 3
Format_Settings_Mode : Joint stereo / MS Stereo
Codec ID : 55
Codec ID/Hint : MP3
Duration : 2h 2mn
Bit rate mode : Constant
Bit rate : 128 Kbps
Channel(s) : 2 channels
Sampling rate : 44.1 KHz
Video delay : 21ms
Stream size : 113 MiB (18%)
Alignment : Split accross interleaves
Interleave, duration : 40 ms (1.00 video frame)
Interleave, preload duration : 500 ms