(JazzPlanet) Joshua Redman - MoodSwing (Eac Flac Cue)(UF)(TNT)

Joshua Redman Quartet - MoodSwing









Artist: Joshua Redman Quartet
Title: MoodSwing
Genre: Jazz
Styles:Neo-Bop, Post-Bop, Contemporary Jazz
Audio CD (September 13, 1994)
Original Release Date: September 13, 1994
Number of Discs: 1
Label: Warner Bros / Wea
Source: Original CD


Extractor: EAC 0.99 prebeta 4
Used drive: HL-DT-STDVDRAM GSA-E10L
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Codec: Flac 1.2.1; Level 8
Single File.flac, Eac.log,
File.cue Multiple wav file with Gaps (Noncompliant)
Accurately ripped (confidence 44)
Size Torrent: 413 Mb
Scan Incluse


TrackList:
1 Sweet Sorrow 8:42
2 Chill 7:43
3 Rejoice 11:12
4 Faith 4:33
5 Alone In The Morning 5:06
6 Mischief 5:47
7 Dialogue 5:45
8 The Oneness Of Two (In Three) 5:08
9 Past In The Present 4:53
10 Obsession 6:50
11 Headin Home 4:07


Personnel:

Joshua Redman (tenor & soprano saxophone);
Brad Mehldau (piano);
Christian McBride (acoustic bass);
Brian Blade (drums).


Listen to samples

http://www.amazon.com/gp/recsradio/radio/B000002MS1/ref=pd_krex_dp_a

http://www.youtube.com/watch?v=qz7i1cSONLs

http://www.youtube.com/watch?v=N0rc52uu1AQ

http://www.youtube.com/watch?v=hi1GrR7_g4I




Biography

Born: February 01, 1969

Every few years it seems as if the jazz media go out of their way to hype one young artist, overpraising him to such an extent that it is easy to tear him down when the next season arrives. In the early '90s, Joshua Redman briefly became a media darling, but in his case he largely deserved the attention. A talented bop-based tenor man, Redman (who will probably never be an innovator) is a throwback to the styles of Red Holloway and Gene Ammons, but also has an inquisitive spirit and can play intriguing music when inspired.

The son of the great tenor saxophonist Dewey Redman, Joshua graduated from Harvard and (after debating about whether to become a doctor) he seemed headed toward studying law at Yale. However, Redman came in first place at the 1991 Thelonious Monk competition, landed a recording contract with Warner Bros., and was soon on the cover of most jazz magazines. Pat Metheny was a guest on one of his albums (the Redman-Metheny interplay during their engagements was quite memorable), and although Redman has had success constantly touring with his own group, it is a pity that his apprenticeship period as a sideman was so brief.

In 1996, Joshua Redman recorded and briefly toured with Chick Corea's "Tribute to Bud Powell" sextet; the solo Timeless Tales (For Changing Times) followed in 1998, and in 2000 he returned with Beyond. Passage of Time appeared in early 2001 and was followed by a lengthy tour of the U.S. The next year, Elastic appeared in stores with an uncharacteristically humorous sight gag adorning the cover. That also reflected on the music, which was more adventurous and playful than in the past, owing a debt to his electronica and experimental rock influences. In 2005, Redman made the move to Nonesuch and released Momentum. Back East followed in 2007, with Compass arriving early in 2009. Scott Yanow, Rovi
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Joshua Redman Quartet: Joshua Redman (tenor & soprano saxophone); Brad Mehldau (piano); Christian McBride (acoustic bass); Brian Blade (drums). Recorded at Power Station, New York on March 8-10, 1994. Includes liner notes by Joshua Redman. All songs written by Joshua Redman. Saxophonist Joshua Redman's third album as a leader is cause for celebration, because here's a young jazzman gifted with all manner of technical gifts, yet he places a premium on feeling and communication. MOODSWING is just that, a series of changes, alternating between the cool and the hot--each arrangement depicting some aspect of Redman's wide-ranging musical personality. So it comes to pass that a long jump tune such as "Rejoice" (the centerpiece of MOODSWING) celebrates the gospel aspects of jazz in the tried and true manner of the original Jazz Messengers, even as a low-key "Faith" derives its inspiration from quieter forms of devotion, while "Dialogue" manages to combine both as Redman expounds on a quiet Aylerish hymn with escalating intensity. As with his previous recordings, listeners are left with the sense that young Joshua Redman is mature beyond his years. On a cool, swinging minor blues vamp such as "Chill," the ease with which he manipulates the timbres of his saxophone recall old-time tenor kings from the swing era. And yet, Redman is very much the contemporary thinker, as his funky closing tune "Headin' Home" illustrates. Whether playing R&B or hard bop, ballads or swing, blues or latin, it's the total conviction Joshua Redman brings to every note that makes MOODSWING a joy.