Giuseppe Verdi - Otello (2004) [DVD9 NTSC]

Giuseppe Verdi - Otello (2004) [DVD9 NTSC]


Video: 4:3 NTSC
Audio: PCM Stereo, Dolby Digital 5.1, DTS 5.1
Subtitles: Italian(orig. language), English, German, French, Spanish, Chinese
# Actors: Plácido Domingo, Renée Fleming, James Morris, Jane Bunnell, Richard Croft
# Directors: Brian Large
# Writers: Arrigo Boito, William Shakespeare
# Producers: Louisa Briccetti
# Studio: Deutsche Grammophon
# DVD Release Date: April 13, 2004
# Run Time: 142 minutes




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Otello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887.

Verdi's early retirement

After the completion and premiere of the opera Aida in 1871, Verdi decided that it was time for him to end his successful career as a composer of opera, though he was easily the most popular, and possibly the wealthiest, composer in Italy during the time, much as Rossini had done after the completion of the opera William Tell.

Ricordi and the plot to end Verdi's retirement

Because of the immense popularity of Verdi’s music in Italy by the 1870s, Verdi’s retirement seemed to his publisher, Giulio Ricordi, to be a waste of talent and possible profits. Thus a plot of sorts was hatched in order to coax the composer out of retirement to write another opera. Because of the importance of the dramatic aspects of opera to the composer, Verdi was especially selective in his choice of subjects. Consequently, if he were to agree to create another opera after a decade of retirement, the libretto would need to be one that would capture his interest. It was generally known that Verdi admired the dramatic works of Shakespeare and had, throughout his career, desired to create operas based on Shakespearian plays. However, his one attempt at doing so, Macbeth (1847), although initially successful, was not well received when revised for performance in Paris in 1865. Because of its relatively straightforward story, the play Othello was selected as a likely target.

Proposal and Arrigo Boito

Finally, after some plotting, Ricordi, in conjunction with Verdi’s friend, the conductor Franco Faccio, subtly introduced the idea of a new opera to Verdi. During a dinner at Verdi’s Milan residence during the summer of 1879, Ricordi and Faccio guided the conversation towards Shakespeare’s play Othello and to the librettist Arrigo Boito (whom Ricordi claimed to be a great fan of the play also). Suggestions were made, despite initial skepticism on the part of the composer, that Boito would be interested in creating a new libretto based upon the play. Within several days, Boito was brought to meet Verdi and present him with an outline of a libretto for an opera based on Othello. However, Verdi, still maintaining that his career had ended with the composition of Aida, made very little progress on the work. Nonetheless, collaborations with Boito in the revision of the earlier opera Simon Boccanegra helped to convince Verdi of Boito’s ability as a librettist. Finally, production began on the opera, which Verdi initially referred to as Iago.

Completion and production

As the Italian public became aware that the retired Verdi was composing another opera, rumors about it abounded. At the same time, many of the most illustrious conductors, singers and opera-house managers in Europe were vying for an opportunity to play a part in Otello 's premiere, despite the fact that Faccio and La Scala, Milan, had already been selected as the conductor and the venue for the first performance. The two male protagonists had been selected, too: Italy's foremost dramatic tenor, Francesco Tamagno, was to sing Otello while the esteemed French singing-actor Victor Maurel would assume the villainous baritone role of Iago. Romilda Pantaleoni, a well known singing-actress, was assigned Desdemona's soprano part.

Upon the completion of the opera, preparations for the initial performance were conducted in absolute secrecy and Verdi reserved the right to cancel the premiere up to the last minute. Verdi need not have worried: Otello's debut proved to be a resounding success. The audience's enthusiasm for Verdi was shown by the 20 curtain calls that he took at the end of the opera. Further stagings of Otello soon followed at leading theatres throughout Europe and America.


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