Ennio Morricone - Arena Concerto[Eac Flac Cue](TntVillage)

---------------------------------------------------------------------

Artist ...............: Morricone, Ennio
Album ................: Arena Concerto
Genre ................: Symphony
Source ...............: CD
Year .................: 2003
Ripper ...............: Exact Audio Copy (Secure mode) & Asus CD-S520
Codec ................: Free Lossless Audio Codec (FLAC)
Version ..............: reference libFLAC 1.2.1 20070917
Quality ..............: Lossless, (avg. compression: 48 %)
Channels .............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........:

Ripped by............: leonenero on 15/09/2012
Posted by............: leonenero on 15/09/2012
News Server..........: news.astraweb.com
News Group(s)........: alt.binaries.sounds.flac.full_albums

Included .............: NFO, M3U, LOG, PAR, CUE
Covers ...............: Front Back CD

---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. C'era una Volta In America [07.00]
2. La Leggenda del Pianista sull'Oceano [07.39]
3. The Mission [09.26]
4. Il Buono, il Brutto e il Cattivo [02.58]
5. C'era una Volta il West [05.11]
6. Giù la Testa [04.18]
7. Cinema Paradiso [04.46]
8. The Untouchables [01.56]
9. Novecento [03.00]
10. I Promessi Sposi [03.15]
11. La Tenda Rossa [09.05]
12. Canone Inverso [15.08]

Playing Time .........: 01.13.49
Total Size ...........: 358,18 MB

NFO generated on.....: 15/09/2012 22.41.50

Recorded live in Verona, Naples, Siviglia and Rome, the Arena Concerto finds the renowned composer conducting the Rome Sinfonietta Orchestra, with several different choirs and some soloists, in a selection of what might be called his greatest hits, starting with his best-known theme in the U.S., the main title music from The Good, the Bad and the Ugly. Morricone's arrangement is much subtler than the 1968 hit version by Hugo Montenegro, but still identifiable, and it introduces a set of cues from spaghetti westerns, the music that people immediately identify with the composer. But that is only the curtain raiser; Morricone goes on to present some of his most lush melodic themes, notably music from Cinema Paradiso, along with a large chunk of arguably his most ambitious score, The Mission.