Tom Waits-Mule Variations Mp-3 1999

Mule Variations
From Wikipedia, the free encyclopedia
Mule Variations
Studio album by Tom Waits
Released April 16, 1999
Recorded 1998
Studio Prairie Sun Recording Studios, Cotati, California
Genre Rock, experimental
Length 70:33
Label ANTI-
Producer Kathleen Brennan, Tom Waits
Singles from Mule Variations
"Hold On"
Released: March 1999
Mule Variations is the thirteenth studio album by American musician Tom Waits, released on April 16, 1999, on the ANTI- label. It was Waits' first studio album since The Black Rider (1993). The album was backed by an extensive tour in Europe and North America during the summer and autumn of 1999, which was Waits' first proper tour since 1987. Other promotional stops included a solo performance on VH1 Storytellers.

Mule Variations won a Grammy Award for Best Contemporary Folk Album and was nominated for Best Male Rock Performance for the track "Hold On". It has sold more than 500,000 copies worldwide. In 2012, the album was ranked number 416 on Rolling Stone's list of The 500 Greatest Albums of All Time.[1]

Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars[2]
Entertainment Weekly B+[3]
The Guardian 4/5 stars[4]
Los Angeles Times 4/4 stars[5]
NME 7/10[6]
Pitchfork 9.5/10[7]
Rolling Stone 3/5 stars[8]
The Rolling Stone Album Guide 4.5/5 stars[9]
Spin 6/10[10]
The Village Voice A−[11]
Upon its release, Mule Variations received widespread critical acclaim. AllMusic reviewer Stephen Thomas Erlewine stated that "the album uses the ragged cacophony of Bone Machine as a starting point, and proceeds to bring in the songwriterly aspects of Rain Dogs, along with its affection for backstreet and backwoods blues, plus a hint of the beatnik qualities of Swordfish. So Mule Variations delivers what fans want, in terms of both songs and sonics" and awarded the album four out of five stars.[2] Former Village Voice editor Robert Christgau gave the album an A– rating and praised Waits' and Brennan's songwriting, saying "together they humanize the percussion-battered Bone Machine sound, reconstituting his '80s alienation effects into a Delta harshness with more give to it."[11] David Browne of Entertainment Weekly said that Mule Variations "restores the wizened humanity — and a more traditional sense of songcraft — to [Waits'] music," gave the album a B+ rating and concluded that Waits was "the last of the classic American tunesmiths."[3]

Hot Press reviewer Peter Murphy described the album as "an emotionally forthright record" and called it "a record of at least two minds: scuffed rooming-house madrigals [...] contrasted with big, fat, bleeding heart ballads."[12] Zach Hooker of Pitchfork awarded the album a 9.5 out of 10 rating, describing it as "a great album" and further saying that "sonically, it picks up where Bone Machine left off, but drops some of that album's artifice: the clattering, trebly out-back-of-the-shed sound is still here and the inexplicable presence of Primus persists."[7] Rolling Stone said that the album "contains the most blues of any album [Tom Waits has] made" but added "the problem is that it's more of the same", describing it as "the latest installment of discourse" and awarding the album three out of five stars.[8]

Mule Variations was a moderate commercial success. The album charted in 14 countries worldwide upon its release, including debuting at number 30 on the United States Billboard 200[13] and number 1 on Norway's album chart.[14] The album was certified gold in Canada in July 2001 after selling over 50,000 copies[15] and as of April 2009 had sold more than 500,000 copies worldwide.[16] Mule Variations won the Grammy Award for Best Contemporary Folk Album at the 42nd Grammy Awards[17] and was nominated for Best Male Rock Vocal Performance.[18]

In 2010, it was awarded a platinum certification from the Independent Music Companies Association,[19] which indicated sales of at least 500,000 copies throughout Europe. As of 2006, sales in the United States have exceeded 440,000 copies, according to Nielsen SoundScan.[20]

Track listing
All tracks are written by Tom Waits and Kathleen Brennan unless otherwise noted.

No. Title Writer(s) Length
1. "Big in Japan" 4:05
2. "Lowside of the Road" 2:59
3. "Hold On" 5:33
4. "Get Behind the Mule" 6:52
5. "House Where Nobody Lives" Waits 4:14
6. "Cold Water" 5:23
7. "Pony" Waits 4:32
8. "What's He Building?" Waits 3:20
9. "Black Market Baby" 5:02
10. "Eyeball Kid" 4:25
11. "Picture in a Frame" 3:39
12. "Chocolate Jesus" 3:55
13. "Georgia Lee" 4:24
14. "Filipino Box Spring Hog" Waits 3:09
15. "Take It with Me" 4:24
16. "Come On Up to the House" 4:36
Total length: 70:33

General
Complete name : Tom Waits\Mule Variations\01 Big in Japan.mp3
Format : MPEG Audio
File size : 3.74 MiB
Duration : 4 min 4 s
Overall bit rate mode : Constant
Overall bit rate : 128 kb/s
Album : Mule Variations
Album/Performer : Tom Waits
Track name : Big in Japan
Track name/Position : 1
Performer : Tom Waits
Composer : Kathleen Brennan/Tom Waits
Publisher : Anti
Genre : Rock
Recorded date : 1999

Audio
Format : MPEG Audio
Format version : Version 1
Format profile : Layer 3
Format settings : Joint stereo
Duration : 4 min 4 s
Bit rate mode : Constant
Bit rate : 128 kb/s
Channel(s) : 2 channels
Sampling rate : 44.1 kHz
Frame rate : 38.281 FPS (1152 SPF)
Compression mode : Lossy
Stream size : 3.73 MiB (100%)