(JazzPlanet) Charles Lloyd - The Water is Wide (Eac Flac Cue) TNT Village

Charles Lloyd: The Water Is Wide


Artist: Charles Lloyd
Title Of Album: The Water Is Wide
Released August 21, 2000
Recorded December 1999 Cello Studios, Los Angeles
Genre Jazz
Label ECM ECM 1734
Producer Manfred Eicher
Torrent size 363 MB
Covers included


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TrackList:

1.Georgia (Hoagy Carmichael, Stuart Gorrell) - 6:38
2.The Water Is Wide (Traditional) - 5:02
3 Black Butterfly (Duke Ellington, Irving Mills) - 4:36
4 Ballade and Allegro - 3:45
5 Figure in Blue - 5:13
6 Lotus Blossom (Billy Strayhorn) - 5:39
7 The Monk and the Mermaid - 8:35
8 Song of Her (Cecil McBee) - 7:37
9.Lady Day (Wayne Shorter) - 7:29
10. Heaven (Ellington) - 4:15
11.There Is a Balm in Gilead (Traditional) - 5:13
12. Prayer - 4:19


Personnel:


Charles Lloyd: tenor saxophone
John Abercrombie: guitar
Brad Mehldau: piano
Larry Grenadier: double-bass
Billy Higgins: drums



Biography

Lloyd was born in Memphis, Tennessee. From an early age, he was immersed in that city's rich musical life and was exposed to jazz. He began playing the

saxophone at the age of 9 and took lessons from pianist Phineas Newborn. One of his closest friends was trumpeter Booker Little. Lloyd became a sideman in

the blues bands of B. B. King, Howlin' Wolf, Bobby "Blue" Bland and others.

In 1956 Lloyd moved to Los Angeles and earned a music degree from the University of Southern California. During this period Lloyd played in the big band of

Gerald Wilson. From 1960 to 1963 Lloyd played in the band of drummer Chico Hamilton and became its musical director. Though the band was known for playing

"chamber jazz" at the beginning of Lloyd's tenure, his influence as a composer and a player quickly pushed it in a more progressive post-bop direction.

Lloyd's key musical partner in the band was the guitarist Gábor Szabó. In 1964 Lloyd left Hamilton's group to play with alto saxophonist Cannonball Adderley.

During this period he recorded two albums as a leader for Columbia Records; his sidemen were other young musicians including Herbie Hancock, Ron Carter and

Tony Williams. Through 1966-1968 Lloyd led a quartet with pianist Keith Jarrett, bassist Cecil McBee (afterwards, Ron McClure), and drummer Jack DeJohnette,

that producer George Avakian signed to a contract with Atlantic Records. The quartet's music was an interesting fusion of straight-ahead post-bop, free jazz,

and soul jazz. The group's music quickly caught on with both jazz fans and critics. Somewhat surprisingly, they also achieved a fair amount of crossover

success with young rock fans and became the first jazz group to play in The Fillmore. The album Forest Flower became a big commercial hit, largely on the

strength of the title track. Other noteworthy albums include Dream Weaver and Love-In.

In 1968, after the quartet's demise, Lloyd entered a state of semi-retirement. Despite recording several albums during the 1970s and occasionally appearing

as a sideman, he practically disappeared from the jazz scene. During the 1970s Lloyd played extensively with The Beach Boys both on their studio recordings

and as a member of their touring band. In the late 1970s Lloyd was a member of Celebration, a band composed of members of the Beach Boys' touring band as

well as fellow Transcendental Meditation followers Mike Love and Al Jardine. Celebration released two albums.

Upon being approached by pianist Michel Petrucciani in the early 1980s, he resumed playing actively. From 1989, Lloyd toured actively and recorded for the

ECM label. Although his playing had not changed much stylistically since his groundbreaking work in the 1960s, these recordings showcased his sensitivity as

a ballad player. Noteworthy albums include Canto, Voice in the Night, The Water Is Wide (featuring Brad Mehldau, John Abercrombie, Larry Grenadier and Billy

Higgins), Lift Every Voice (featuring Geri Allen), and the live Rabo de Nube with Jason Moran). Lloyd has shown great consistency and creativity in his

period with ECM, much of his music containing a strong spiritual element, some it heavily in a "world music" vein, and some of it unusual and experimental as

in the duets on Which Way is East? with his longtime friend and musical soulmate, Billy Higgins.

Allmusic noted that Lloyd's 2013 offering, Hagar's Song "finds Lloyd and Moran at their most naturally curious and deeply attentive best, offering a

conversation so intimate the listener may occasionally feel she is eavesdropping".[2]



review

Tenor saxophonist Charles Lloyd pursues a slightly different angle on his new and seventh “ECM” release titled, The Water Is Wide. Lloyd continues to utilize

the exemplary talents of drummer Billy Higgins and guitarist John Abercrombie, who both performed on the artist’s previous effort, Voice In The Night. While

the saxophonist also enlists young wunderkind pianist Brad Mehldau and bassist Larry Grenadier who comprise two thirds of the pianist’s working trio.

Perhaps Lloyd is plotting a new course in contrast to his earlier – ethereal dreamscape style recordings as the saxophonist directs his strategies towards

bluesy and moody renditions of Hoagy Carmichael’s “Georgia” and the traditional “The Water Is Wide”, among other standards and Lloyd originals. Throughout,

the saxophonist’s infamous Coltrane inspired angular attack and tantalizing inflections meld wonderfully with Mehldau’s warm, thoughtful phrasing and

Abercrombie’s poignant undercurrents. Yet the combined – rhythmic - artistry of Billy Higgins and Larry Grenadier proves to be indispensable throughout this

rather ubiquitous mix, which also includes Billy Strayhorn’s endearing “Lotus Blossom”, and Duke Ellington’s lesser known, “Heaven”.

The saxophonist’s rich melodious phrasing and soulful expressionism on Cecil McBee’s “Song Of Her” offers the optimum in softly executed sentiment and lush

balladry whereas you can almost hear Billie Holiday’s voice seeping through Lloyd’s sultry and altogether deeply moving lines on his original composition,

“Lady Day”.

Simply put, Charles Lloyd has rarely sounded better as the musicians seemingly interrogate each other’s souls during these sixty-eight enlightening minutes.

Without a doubt, The Water Is Wide should find it’s way into quite a few top ten lists for the year 2000. Highly recommended