The Exploding Sports Shoe 1980 No Language DVDRip x264 ATHEiST

Year: 1980
Country: West Germany
Director: Jörg Buttgereit
IMBD: Link

Language : No Language





I argue that the subculture and musical genre known as punk responds to “the condition of postmodernity” in two seemingly contradictory ways. The first identifies a homology between postmodernism and punk performance, attitude, and style. Suffused with self-reflexive irony, these punks have recycled cultural images and fragments for purposes of parody and shocking juxtaposition, thereby deconstructing the dominant meanings and simulations which saturate social space. Sometimes, especially in Britain and the New York scene, this postmodern aesthetic has been created by musicians originally trained in schools of art (Frith & Horne, 1987). More often, it can simply be understood as the response of young people raised within a mass-mediated, consumer-driven environment who have turned signs and spectacles against themselves, as a means of waging war on society. Furthermore, many of these punk rock bands have personified the boredom and purposelessness of suburban youth socialized to be spectators and consumers, and the spastic flow of their music and musical
careers dramatizes that fragmentation of experience. Thus, I argue that this semiotic assault of punk is both constrained and made possible by the socioeconomic changes which have erased the industrial system of Fordism while accelerating the stream of images, symbols, and commodities in everyday life. This structural transformation has particularly affected young people, who are constantly solicited through the media and entertainment industries and possess no memories of the previous social order.

The second way in which punk subcultures have responded to postmodern society has involved a quest for authenticity and independence from the culture industry, thus altogether renouncing the prevailing culture of media, image, and hypercommercialism. Whereas the first response to postmodernity appropriates signs, symbols, and style for the purposes of shock and semiotic disruption, the second attempts to go “underground” and insulate punk subculture from the superficiality of postmodern culture. (Ryan Moore, Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction, 2004)

[ About file ]

Name: The Exploding Sports Shoe.Jörg Buttgereit.1980.DVDRip.ATHEiST.mkv
Date: Fri, 28 Apr 2023 13:15:06 +0200
Size: 8,559,646 bytes (8.163115 MiB)

[ Magic ]

File type: Matroska data
File type: EBML file, creator matroska

[ Generic infos ]

Duration: 00:01:00 (60 s)
Container: matroska
Production date: Sun, 28 Jan 2018 07:51:53 +0200
Total tracks: 3
Track nr. 1: video (V_MPEG4/ISO/AVC) {ger}
Track nr. 2: audio (A_AC3) {zxx}
Track nr. 3: audio (A_AC3) [Audio Commentary] {eng}
Muxing library: libebml v1.3.5 + libmatroska v1.4.8
Writing application: mkvmerge v20.0.0 ('I Am The Sun') 64-bit

[ Relevant data ]

Resolution: 696 x 558
Width: multiple of 8
Height: multiple of 2
Average DRF: 15.334667
Standard deviation: 5.020093
Std. dev. weighted mean: 4.923455

[ Video track ]

Codec ID: V_MPEG4/ISO/AVC
Resolution: 696 x 558
Display resolution: 742 x 558 (pixels)
Frame aspect ratio: 116:93 = 1.247312
Pixel aspect ratio: 371:348 = 1.066092
Display aspect ratio: 371:279 = 1.329749 (~4:3)
Framerate: 12.5 fps
Stream size: 6,386,986 bytes (6.091105 MiB)
Duration (bs): 00:01:00 (60 s)
Bitrate (bs): 851.598133 kbps
Qf: 0.175421

[ Audio track nr. 1 ]

Codec ID: A_AC3
Sampling frequency: 48000 Hz
Channels: 2
Stream size: 1,436,928 bytes (1.370361 MiB)
Bitstream type (bs): AC3
Frames (bs): 1,871
Duration (bs): 00:01:00 (59.872 s)
Chunk-aligned (bs): Yes
Bitrate (bs): 192 kbps CBR
Sampling frequency (bs): 48000 Hz
Mode (bs): stereo

[ Audio track nr. 2 ]

Codec ID: A_AC3
Sampling frequency: 48000 Hz
Channels: 1
Stream size: 719,616 bytes
Bitstream type (bs): AC3
Frames (bs): 1,874
Duration (bs): 00:01:00 (59.968 s)
Chunk-aligned (bs): Yes
Bitrate (bs): 96 kbps CBR
Sampling frequency (bs): 48000 Hz
Mode (bs): mono

[ Video bitstream ]

Bitstream type: MPEG-4 Part 10
User data: x264 | core 152 r2851 ba24899 | H.264/MPEG-4 AVC codec
User data: Copyleft 2003-2017 | http://www.videolan.org/x264.html | cabac=1
User data: ref=16 | deblock=1:-1:-1 | analyse=0x3:0x133 | me=tesa | subme=11
User data: psy=1 | psy_rd=1.00:0.15 | mixed_ref=1 | me_range=24 | chroma_me=1
User data: trellis=2 | 8x8dct=1 | cqm=0 | deadzone=21,11 | fast_pskip=0
User data: chroma_qp_offset=-3 | threads=6 | lookahead_threads=1
User data: sliced_threads=0 | nr=0 | decimate=1 | interlaced=0
User data: bluray_compat=0 | constrained_intra=0 | bframes=16 | b_pyramid=2
User data: b_adapt=2 | b_bias=0 | direct=3 | weightb=1 | open_gop=0 | weightp=2
User data: keyint=250 | keyint_min=12 | scenecut=40 | intra_refresh=0
User data: rc_lookahead=60 | rc=crf | mbtree=1 | crf=17.0 | qcomp=0.60
User data: qpmin=0 | qpmax=69 | qpstep=4 | ip_ratio=1.40 | aq=1:1.00
SPS id: 0
Profile: High@L4
Num ref frames: 16
Aspect ratio: Custom pixel shape (16:15 = 1.066667)
Chroma format: YUV 4:2:0
PPS id: 0 (SPS: 0)
Entropy coding type: CABAC
Weighted prediction: P slices - explicit weighted prediction
Weighted bipred idc: B slices - implicit weighted prediction
8x8dct: Yes
Total frames: 750
Drop/delay frames: 0
Corrupt frames: 0

P-slices: 137 ( 18.267 %) ####
B-slices: 609 ( 81.200 %) ################
I-slices: 4 ( 0.533 %)
SP-slices: 0 ( 0.000 %)
SI-slices: 0 ( 0.000 %)

[ DRF analysis ]

average DRF: 15.334667
standard deviation: 5.020093
max DRF: 24

DRF=1: 2 ( 0.267 %)
DRF=2: 8 ( 1.067 %)
DRF=3: 9 ( 1.200 %)
DRF=4: 3 ( 0.400 %)
DRF=5: 42 ( 5.600 %) #
DRF=6: 2 ( 0.267 %)
DRF=7: 10 ( 1.333 %)
DRF=8: 2 ( 0.267 %)
DRF=9: 4 ( 0.533 %)
DRF=10: 4 ( 0.533 %)
DRF=11: 7 ( 0.933 %)
DRF=12: 149 ( 19.867 %) ####
DRF=13: 18 ( 2.400 %)
DRF=14: 31 ( 4.133 %) #
DRF=15: 38 ( 5.067 %) #
DRF=16: 38 ( 5.067 %) #
DRF=17: 38 ( 5.067 %) #
DRF=18: 25 ( 3.333 %) #
DRF=19: 221 ( 29.467 %) ######
DRF=20: 24 ( 3.200 %) #
DRF=21: 34 ( 4.533 %) #
DRF=22: 19 ( 2.533 %) #
DRF=23: 14 ( 1.867 %)
DRF=24: 5 ( 0.667 %)
DRF>24: 0 ( 0.000 %)

P-slices average DRF: 13.591241
P-slices std. deviation: 5.424404
P-slices max DRF: 23

B-slices average DRF: 15.766831
B-slices std. deviation: 4.809489
B-slices max DRF: 24

I-slices average DRF: 9.25
I-slices std. deviation: 5.117372
I-slices max DRF: 15

This report was created by AVInaptic (01-11-2020) on 21-07-2024 04:15:06